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Industrial England has a Surplus of Men and Money

 
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TO understand why settlers should travel all the way to New Zealand in small sailing ships, to a land that was hardly known, where farms would have to be carved out of virgin forest or wind-swept tussock, one has to consider the England of the years before 1840. England all through the eighteenth century was enjoying an expanding prosperity. New methods of agriculture were at once making landowners richer and displacing farm labourers. At the same time the great Industrial Revolution was going forward. This, the beginning of large-scale coal-mining and factory production as we know it, was making a few men immensely rich, while others found themselves forced into the hideous new industrial towns to compete for a few jobs.

England was in fact like a well-stocked cake shop with a herd of hungry small boys outside who had no pennies to spend. There was a surplus of labour, which meant social unrest of the sort we to-day know and dread as Unemployment. Then the employers, though they made lots of money, found it difficult to invest their profits in other enterprises. The pressure of circumstance dictated that men should go overseas to produce in new, empty lands where capital too could be used profitably.

Ford Madox Brown's 'The Last of England.' This well known painting was conceived in 1851, when the artist farewelled the sculptor, Thomas Woolner, who was leaving to settle in Australia.

 



This study in contrasts was the work of a 'Punch' cartoonist in 1848. There was great poverty in the English Industrial towns; in the colonies lay the hope of prosperity. Both labour and capital looked to emigration as the solution of their problems.
 



The 'Illustrated London News' shows one of the tragedies of large scale coal mining, 'the Pit after the explosion.' A writer of the time described the scene and 'the assemblage of an excited multitude at the pit's mouth when the terrible event had become known in the neighbourhood.' The development of coal mining was one of the most important factors in the Industrial Revolutuion.



This sketch from 'Savage Life and Scenes,'  by George French Angus, emphasises the variety and fantastic form of plants in New Zealand bush, where many the emigrants were to make their homes.

 
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Last modified: 11/15/07