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TO understand why
settlers should travel all the way to New Zealand in small sailing
ships, to a land that was hardly known, where farms would have to be
carved out of virgin forest or
wind-swept tussock, one has to consider the England of the years
before 1840. England all through the eighteenth century was enjoying an
expanding prosperity. New methods
of agriculture were at once making landowners richer and displacing
farm labourers. At the same time the great Industrial Revolution
was going forward. This, the
beginning of large-scale coal-mining and factory production as we
know it, was making a
few men
immensely rich, while others found themselves
forced into the hideous new industrial towns to compete for a few jobs.
England was in fact like a
well-stocked cake shop with a herd of hungry small boys outside who had
no pennies to spend. There was a surplus of labour, which meant social
unrest of the sort we to-day know and dread as Unemployment. Then the
employers, though they made lots of money, found it difficult to invest
their profits in other enterprises. The pressure of circumstance
dictated that men should go overseas to produce in new, empty lands
where capital too could be used
profitably.

Ford Madox Brown's 'The Last
of England.' This well known painting was conceived in 1851, when the
artist farewelled the sculptor, Thomas Woolner, who was leaving to
settle in Australia.
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This study in contrasts
was the work of a 'Punch' cartoonist in 1848. There was great poverty
in the English Industrial towns; in the colonies lay the hope of
prosperity. Both labour and capital looked to emigration as the
solution of their problems.

The 'Illustrated London News'
shows one of the tragedies of large scale coal mining, 'the Pit after
the explosion.' A writer of the time described the scene and 'the
assemblage of an excited multitude at the pit's mouth when the
terrible event had become known in the neighbourhood.' The development
of coal mining was one of the most important factors in the Industrial
Revolutuion.

This sketch from 'Savage Life
and Scenes,' by George French Angus, emphasises the variety and
fantastic form of plants in New Zealand bush, where many the emigrants
were to make their homes.
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