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THE Maori was a deeply religious person. He relied on
the gods for help and protection in his
work and in his play, in times of crisis and sickness,
in times of danger and in times when
all was going well. In fowling,
fishing, warfare, housebuilding,
and half a hundred other activities he
used rituals and incantations,
prayers, and ceremonials to secure the good favours of his gods.
His gods were many. Supreme above all and
known only to the select few was the
great god lo —lo the Parentless, lo the Eternal,
lo the Unchanging—to give this god a few of his many
names. His cult was exceedingly sacred
and incantations directed to him were made only on the
most urgent occasions. A second class
of gods were departmental gods who presided over the various natural
phenomena. The most important of these were: Tangaroa, god of the
ocean; Rongo, god of agriculture; Tahe, god of forests; Tu,
god of war; Whiro,
god of darkness and death; Taw hire
Matea, god of the winds. A third class of gods were the ancestral
spirits who were invoked to give help for smaller undertakings.
The Maori also believed in a group of evil
spirits. These were spirits of darkness
who caused disease, sickness and
physical suffering. They became angry when some prohibition was
broken. They could also be stirred into activity by the rites of the
sorcerer. Then they entered the body of the victim. And the only thing the
Maori could do to rid himself of his trouble was to call in the
services of the priest-doctor who by
suitable incantations would exorcise the spirit.
These priest-doctors were important members of the
community. By their aid the Maori could secure the protection of the gods.
They were generally experts. Indeed the
word tohunga means precisely this: an expert at any activity
or craft. They knew the appropriate rituals and prayers. They had been
thoroughly trained in the Maori schools
of learning. They knew how to communicate with the gods and how to
interpret the wishes of the gods to the
populace.
The Maori were not idol-worshippers. They did not bow
their heads down to images of stone.
On certain occasions the gods came to reside in rough
wooden or stone representations. Then the priest talked to the god and, when
the seance was over, the god left his temporary abiding place.
Many of the simple incantations and
magical sentences were known to all the people. The more elaborate
ones were known only to the trained
priests.
The typical Maori shrine was a small cleared place
close to the village. Here there might be a rough stone set up, or a small
wooden post, or there might be nothing but the clearing itself. The place
was peculiarly sacred, however, and here small offerings were left so that
the gods would incline a favourable ear to the supplications of
the people of the village.

Henry Williams made this sketch
of Tohitapu, old-time Maori priest. The old man is wrapped in a trade
blanket. In front of him is a fish and a basket of kumara, probably gifts
for services.
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A New Zealand Deity, or hei tiki, sketched by
John Savage in 1805. The greenstone tiki was of course not a deity, but a
precious ornament greatly valued as a tribal or personal heirloom.

This scraper-board drawing shows a 'tuahu'
or 'wahi tapu' (sacred place), where the various religious and magical
rites were preformed. In 'The Maori as he was' Elsdon Best states that
each of these stones represented a certain 'atua' (god).
A monument in memory of Te Whero Whero's daughter
at Raroera Pa, Waikato. European influences are noticeable in this
elaborate monument which was drawn by Angas during his journey through the
North Island.
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