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CLASS distinctions were firmly
rooted in the minds of everyone in the early years of Queen
Victoria’s reign, and
conditioned life on board. But this extract
from a cabin passenger’s diary makes surprising reading to-day:
There are one or two of our
fellow-passengers who will go
among the emigrants and make themselves familiar with them.
The Captain is very much annoyed at it, as it tends to lower the
dignity of the ship. One of them
absented himself from our meeting last evening, and was found
amongst them. The Captain felt himself insulted at his preferring their
society to ours. . . I have never spoken to one of them yet.
A Scots steerage passenger said of
conditions on his ship that
the cabin passengers were gentry and had no intercourse with any
other class; second-class
passengers were would-be gentry, and wished
no communication with the
steerage. Over all presided the Captain — ‘quite a gentleman,
walks with his gloves, very haughty, and never speaks
to us.’
Life was by no means idle
aboard. While the gentry so aloof in the cuddy or chief cabin eagerly
read up the few books then written about New Zealand, or taught each
other’s children dead languages, there was just as intense educational
activity between decks. If more than 150 emigrants were on board, the
Company shipped a qualified schoolmaster. Even without his aid the
labourers who could read gave lessons in reading
and writing to those who needed
them, grown men as well as children. Captain Arthur Wakefield
organised shooting practice on his ship, on which also were some
apprentice surveyors filling in the long voyage by learning their
profession from the Company’s
trained men. Several of the early ships
actually had Maoris on board, and
the more enterprising passengers took the opportunity to learn
the native language in advance.
Very few ships got to their
destination without friction of
some kind. The conditions of close confinement on board made the
task of the surgeon and the
emigrant ‘constables,’ whom he had
chosen to aid him in keeping the
peace among the people, well-nigh superhuman. When we consider
the conditions, the three months’ voyage, the
enforced idleness, the doubtful
end, it speaks very well for the strict conditions of selection
conscientiously imposed on itself by the Company
that there was so little trouble on
board. Dr. Johnson once
remarked that being at sea was like being
in prison, with the added chance of
being drowned. It is hardly
surprising that an occasional emigrant,
who somehow found the liquor,
should have drunk himself stupid. Petty bickering and quarrels
were far more frequent.
Unfortunately the surgeon himself might often be involved in
these. One surgeon who made the emigrants do work that should not
properly have fallen to them, under threat of stopping their rations,
was fined by the Company on arrival
in New
Zealand. On the other hand the emigrants on
board the Whitby
cheerfully volunteered to work the pumps daily for
weeks together when the ship
sprung a dangerous leak.
Even if they failed sometimes in tact and
allowed the emigrants to nourish
grievances against each other or the authorities, the surgeons
seldom failed in their professional duty. It was rare for a ship to lose
more than six lives, in spite of a
good deal of sickness on board. A sad exception
was the ship Lloyds, bringing out the families of the
first Nelson emigrants in 1842, which lost fifty-eight children, more
than a quarter of the total of passengers. The fact that forty-nine of
these deaths were of children less than four years old shows that very
young children could not always
stand up to the hardships of a long voyage. |
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A Panorama by E.
Norman of the Canterbury Plains from the Bridle track between
Lyttleton and Christchurch. Such open country must have provided a
welcome sight to the colonists after their long voyage in cramped
quarters.

William Bambridge's
sketch of his cabin on the Government Brig, 'Victoria.'

How the pent-up emigrants must
have longed for the open spaces of New Zealand! This view of Tolaga
Bay was the work of an artist on Dumont d'Urville's' L'Astrolabe.'
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