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LARGE game was absent from the old-time
New Zealand forest. Even the pig was a
late-comer to these shores, being
introduced by Captain Cook. The great moa bird, long extinct, was
probably hunted by the pre-Maori inhabitants of New Zealand, for its
remains have been found close to ancient ovens. It was still found in the
North Island when the first Polynesian settlers arrived. Traditions from the
East Coast preserve a clear account of the first meeting of the early Maori
with a few surviving birds. Apparently, however, the moa survived in
the South Island long after it had disappeared further north.
The absence of large game made the birds and rats of
the forest desirable additions to the Maori diet. The forests were under the
protection of the great god Tane. Thus different forms of tapu
had to be observed in order to retain the good-will of this god when hunting
in the forest. Cooked food, for example, was not taken to the forest, nor
was food ever cooked in the forest. If bird hunters left feathers scattered
about the forest, this was unlucky, because all the birds would probably fly
away. First-fruit offerings were common.
The first birds and the first fish caught and the first crops were
all offered to the gods. Simple shrines were
set up in the forest, and on these
offerings of grass and small branches were placed to placate the
forest spirits.
With all his efforts to secure spiritual help, the
Maori did not neglect to acquire all the
knowledge he could of the habits of the birds he hunted. He used
snares and running nooses to catch pigeons.
He used a decoy bird and a slip-noose
to catch the parrakeet. He used a lure for the kiwi and
sometimes also hunted this bird with the aid of his native dog. The rat he
trapped with a spring trap or else caught in a pit—and the rat he considered
a great delicacy.
Most of the birds and rats that rewarded his hunting
he preserved in large gourds. The carcases were boned and cooked. Then they
were packed into the gourds and covered
with their own melted fat. Thus preserved, they constituted a
highly prized food supply and were often
taken as valued gifts when an inland tribe visited friends on the
sea-coast.
From the forest also came many of the berries
that were eaten, and many of the berries
also from which were extracted the vegetable oils used to soften and
make attractive the hair and skin.
The bird spears
and snaring perches used by the Maori were often elaborately carved.
The carving did not increase their usefulness in any way. But this gives us
a hint-as to the motives of the Maori craftsman. He was interested in
beautiful implements and tools just for the sake of their beauty. And he
would labour long and lovingly at his carving designs as, with his slow,
stone tools, he made more beautiful the things that he used in everyday
life. The old-time Maori was not lazy and shiftless. He liked to carve his
snaring perch 01 his fighting spear, and carve them he did with beautiful
intricate designs that had no other purpose than to appeal to his aesthetic
sense and his pride. |
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The Pink Terraces, from 'New Zealand
Graphic and Descriptive,' by C.D. Barraud (1877). This wonder of the
Thermal Regions, destroyed in the Tarawera eruption of 1886, was well
known to the old-time Maori.

Kiwi and Moa, the famous wingless
birds of New Zealand, as drawn by Dr. F. von Hochstetter in 1859.

De Sainson, artist on one of Dumont
d'Urville's expeditions, sketched these Maori articles (1883); Dish and
ponder (top). weapons (extreme right and left), fish-hooks (top right and
left), greenstone ornament (centre), ear-rings (bottom, centre, right and
left).

This view of an arched rock is
described in Hawkesworth's account of Captain Cook's first voyage. The
Maori carrying a long bird-spear.
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