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THE Maori was an enthusiastic and skilful warrior.
Indeed for him fighting was the chief pastime, just as, perhaps, football is
for us.
The causes of his wars were many: quarrels over
women, disputes over land boundaries, a
desire to revenge some insult, slight, curse, murder, or the like
were each one of them sufficient to persuade chiefs and elders that the time
had come to blow the war trumpet and call together the
man-power of the tribe.
The war party
assembled willingly. The warriors were naked except for their waist
girdles, but principal warriors might
also make a show of their precious dog-skin cloaks. Each subtribal chief cut
a lock from the crown of his head and tossed it
in the direction of the village shrine.
The warriors were rendered tapu by being baptised in a near-by
stream. Then they whipped up their courage and enthusiasm by dancing the
defiant haka while priests secured supernatural blessings by uttering
prayers and incantations.
A war party usually consisted of about 140 men. Its
line of march was strewn with omens, and
it was exceptionally good luck if man, woman, or child happened to
cross the path of the marching warriors. Such a luckless individual was
immediately slain and the fighters were delighted that the gods had been
good to them.
Meanwhile the people to be attacked were probably
aware that fighting was afoot. They retired
to their fortified village bringing in with them supplies to withstand a
siege, if necessary. Sentries were posted and all were alert for the
arrival of the enemy.
The favoured
time for the attack was just before dawn. When the pa was taken by
assault or when one side fled from the field of battle, the prisoners were
either slain outright or reserved for slaves.
The flesh of warriors was tapu
for women, so men only could eat of the flesh of those killed. The
skin and bones of distinguished chiefs might be preserved for covering hoops
or for fish-hooks or for spear-barbs—and no greater insult could be offered
to any man or his relatives than that his flesh should stick to the teeth of
his conquerors and his bones be turned to useful but mundane
purposes.
Maori fighting in olden days, before the use of the
white man’s gun turned sport to slaughter,
was governed by a rigid code of
gentlemen’s rules. Personal bravery and disregard of death were
emphasized. How to die correctly was just as important to know as how
to live correctly. And many a tale is
told of a conquered warrior handing to his foemen a precious
greenstone weapon with which his skull, a moment later, would be cleft.
The agile Maori warrior preferred a light, slender
weapon with which to guard or strike. He was essentially a hand-to-hand
fighter and thus his favourite weapon
was a short thrusting club of wood, bone, or greenstone.
The Maori was
also a military engineer of considerable genius. His fortified
villages complete with stockades,
ramparts, ditches, observation towers, enfilading platforms, and
fighting stages were model defence works
that many times defied armies both civilized and native. |
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Dr. A.S. Thomson gives this vivid
impression of 'The War Dance' In 'The Story of New Zealand' (1859). The
introduction of the musket by Europeans revolutionised Maori methods of
warfare.

A Scraper-board drawing of a Maori
fort in 1839, showing it's isolated and impregnable defensive position.

A fleet of war canoes seen by Dumont
d'Urville's expedition
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